Now, all your keyframes are easy to find. This means you won’t have to go digging through countless effects to try and find that one thing you set but can’t find. To help optimise the workflow speed, Premiere Pro also now lets you filter the effects you’ve placed on your clips to only show you those properties that have had keyframes applied to them. Now that Premiere Pro should see similar render performance to DaVinci Resolve, it’s going to make life a lot easier for those Premiere Pro users. But unless you’re running a really old GPU with a bleeding-edge CPU, you’re more than likely going to see at least some level of improvement. The exact performance gains you will see will depend on the CPU and GPU contained within your system. My 1080p and 4K renders now go out in about a third the time that they did using my CPU through Premiere Pro or Adobe Media Encoder. GPU acceleration was one of the major reasons I switched to DaVinci Resolve earlier in the year, and the time savings are amazing, especially if you have to render out a lot of stuff regularly. Filmmaker Armando Ferreira got his hands on a copy early and posted a video showing the difference it makes to his render times. Although the ProRes RAW support is big news that’s going to be welcome to a lot of video shooters, particularly those that own the Atomos Ninja V, probably the most celebrated addition will be that it’s finally getting GPU acceleration for h.264 and h.265 codecs.
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